Category: architecture

CHRiSTO”

Posted by – March 19, 2013

Christo’s ‘Big Air Package’ is both the largest ever inflated frameless envelope and the “most expansive indoor sculpture” ever created. For his first major public work since the death of his partner Jeanne-Claude in 2009, the 90 meter high inflatable boasts a volume of 177,000 cubic meters and uses 20,350 square meters of semitransparent polyester fabric, as well as 4,500 meters of rope. Despite lacking a skeleton, the 5 ton form fills the interior of a former gas tank.

Christo’s ‘Big Air Package’ is located at Gasometer in Oberhausen

, and will be open to the public through December 30th.

bird.view of Manhattan

Posted by – March 19, 2013

nYc LOFT…..styleeee is still the message

Posted by – March 19, 2013

Time

Posted by – January 18, 2013

Time By Eveline Visser from Design Academy Eindhoven on Vimeo.

The difference between experiencing biological time and technical time is a reflection on an existing problem in society. In a hospital, these two times come together and collide. Biological time is the personal rhythm of both employees and patients. Technical time is witnessed in the strict schedule of the hospital, necessary to facilitate the complex set of actions that take place in a highly technological surrounding. But our bodies, which are the focal point of the hospital, live in a strong connection with the biological rhythm.

Some illnesses are caused in part or exacerbated by the rhythm of time in the western world. Within the medical world, time is used more and more as a solution, as in the case of chronotherapy. But still a hospital functions mainly according to technical time – visitor times, staff shifts etc.

As designer it is therefore interesting to introduce biological time to the hospital environment, where technical time is dominant. The biological rhythm is visible outside the hospital: trees, plants and animals all live outside the rhythm of technical time. Most hospitals are positioned at the borders of cities, where urban environments meet the rural surroundings, rich in biodiversity. Biological rhythms depend on the changing of the seasons. They often influence illnesses; light, temperature and other factors influence the progress of an affliction.

As a designer I intend to introduce these natural rhythms, so they can become part of the hospital’s system. On the border of inside and outside, the hospital façade, biological rhythms can be given space and visibility. It directly links actions inside and outside the hospital, and allows outside rhythms to be experienced by the patient in his bed, connecting technical and biological times of both zones.

Design concept
Can the biological rhythm be introduced into the hospital in a meaningful way, without entailing chaos?
I want to attach nest boxes to hospital facades. These nest boxes provide space for animals, living according to biological time. By making biological time visible from within the highly technical hospital, synchronization can take place and attention is drawn to differences between the rhythms.

The nest boxes are of specific dimensions according to species and position on the hospital building. As the hospital itself is divided by departments, interesting overlaps and collisions can take place.

By Eveline Visser

LEGOBridge” byMEGX”

Posted by – July 8, 2012

title:Herman Melvill, mobydick”

Posted by – April 19, 2012

DeLorean by LEGO

Posted by – March 21, 2012

*parallelepipeds*

Posted by – February 17, 2012

Maison@ROME

Posted by – February 2, 2012

a surreal NiGHTCLUB

Posted by – November 23, 2011

The urban club consists of a large meet and greet entry area, sushi restaurant, sake bar, music lounge and two VIP lounges.

Pockets of unique intensities

Stairway

Entry

Sushi restaurant

Sushi restaurant

Sushi restaurant

Sake bar

Sake bar

Lounge

DJ booth

VIP room

Parklets@theBAY

Posted by – September 6, 2011

El PULP MECANiCO

Posted by – September 6, 2011

Born Electric.

Posted by – August 31, 2011

Feliz 4th of July!!!

Posted by – July 5, 2011

Raster Noton

Posted by – October 22, 2010

Anticipating Kangding Rayʼs forthcoming album, due this winter, comes Pruitt Igoe – a 4 track EP on which both Alva Noto and Ben Frost have been invited by Kangding Ray to produce sonic variations on a contemporary architectural myth.

The EPʼs title Pruitt Igoe is taken from a gigantic social housing project, completed in 1955 in the U.S. City of St Louis, Missouri, and often regarded as a symbol of the modernist architecture failure. Designed according to the principles of modernism, and by the same architect who would later build the World Trade Center, the project saw a disastrous and violent decline after only a few years, plagued with vandalism and massive criminality, leading to its complete destruction from 1972 onwards. Footage of its demolition are visibly featured in the 1983 movie “Koyaanisqatsi”, scored by Phillip Glass.

Pruitt Igoe is more than a post-modern icon, it represents an ancestral movement of hope and disillusion, of perfectly planned models and evaporated dreams. It serves as a judicious metaphor for our era, where the feeling of imbalance and doubt has replaced the certainity of eternal progress and endless economical growth.

This movement is reflected by the two sides of the record: on the A side, the original track and its remodel by Alva Noto, both represent the planning and construction phase, based on a clear structure and a hypnotic loop of women chanting in the streets of a small town in North India. On the B-side, Ben Frost and Kangding Ray undertake the demolition process – slicing beats, destroying structures and emphasising the beauty of collapse.

Partitura: by Quayola

Posted by – October 7, 2010

Partitura Preview

2010
Audiovisual Performance / Custom Software

Sample from upcoming new live show and series of audiovisual collaborations.
In italian the term “Partitura” is used to describe the written representation of music, literally the musical score. This is a system which represents aurally perceived music, through the use of visual written symbols… The project Partitura aims in creating a metaphor to translate aurally perceived music back into a visual representation. Taking inspiration from traditional musical notation and its horizontal scheme, Partitura creates constantly-moving linear environments where abstract geometries visualise sound.

Credits
Creative Direction: Quayola
Software Development: Mondi Excerpt Preview 3, 4
Sound: John Richards, Max De Werner
Piano: Will Dutta

Links:
Main site: Quayola
Project: Partitura

Partitura – Preview 04 from Quayola on Vimeo.



Final STREET LEAGUE test day

Posted by – October 4, 2010

Serious about Skating, check this OUT!! killleeeeeer design and PRO’S of course

Wet ‘n’ Wild

Posted by – September 28, 2010

Concept, Idea & Assemblage its Outstanding, I am a HUGE fan of this guy, enjoy and listenn…A

La Bandera

Posted by – September 28, 2010

Amigo y colega Miguel Braceli, profesor de diseño en la Facultad de Arquitectura y Urbanismo de la Universidad Central de Venezuela.